'Foundation' showrunner breaks down the series' new teaser trailer

"You're entertaining people first and maybe getting them to think about things after the fact, whether it's global warming, whether it's globalization, whether it's Brexit, whether it's the polarization of what's happening in America today," Goyer continues. "The irony is they are not new upheavals. They're upheavals that have happened again and again and again throughout society going back tens of thousands of years. An optimist would say, 'Hey, the cycles happened before. Can we learn anything from it?' In a way, that's what the show's about."

"I was determined that we really went to these places," he says. "It's a show I wanted to be very textural. We went to the Canary Islands, we went to Berlin, we went to Malta, and we went to Iceland. The proof is in the pudding. The shoot was incredibly arduous. It's the hardest shoot that I've ever been involved in, but I really believe as much as possible in doing things for real and having as many real elements as possible. So when you see these sumptuous locales in episode 1 and episode 3, we weren't faking it."It's like, "if Star Wars were made by Terrence Malick," he adds. "My producer hated me when we were in the Canary Islands. We shot at magic hour almost every single day. It was important to me that the actors were really experiencing the wind and the snow and the ocean, and that there'd actually be a bit of a struggle in the making of it. I think you feel that. I think you feel it in your bones."